“Textual Stealing?: Copyright, Race, and Elusive Justice”

In Radical Humility: Essays on Ordinary Acts (Rebekah Modrak and Jamie Vander Broek, eds.), 2021, pp. 151-158. Cleveland: Belt Press.

“What We (Still) Need to Learn: Stuart Hall and the Struggle Against Racism”

New Formations, 102, 2020, pp. 78-91.

“The Impossibility of Teaching Cultural Studies”

In Cultural Studies in the Classroom and Beyond: Critical Pedagogies and Classroom Strategies (Jaafar Aksikas, Sean Johnson Andrews, and Donald Hedrick, eds.). Cham, Switzerland: Palgrave Macmillan: 2019, pp. 99-113.

“Media:Culture:Policy, or What We Talk About When We Talk About (Cultural) Policy”

(co-authors: Sean Johnson Andrews, Janice Peck, and Fan Yang)
communication +1, 6(1), 2017.

“Notes on Reconstructing ‘the Popular'”

Critical Studies in Media Communication, 33(5), 2016, pp. 388-398

“Waiting for the Great Leap Forwards: Mixing Pop, Politics, and Cultural Studies”

In The Sage Handbook of Popular Music (Andrew Bennett and Steve Waksman, eds.). Los Angeles: Sage, 2015, pp. 48-63.

“Introduction: Teaching/Learning About Race”

In The Race and Media Reader (Gilbert B. Rodman, ed.). New York: Routledge, 2014, pp. xi-xiv.

“Thirteen Ways of Looking at a Black Film: What Does It Mean to Be a Black Film in Twenty-First Century America?”

(co-author: Heather Ashley Hayes)
In Quentin Tarantino’s Django Unchained: The Continuation of Metacinema (Oliver C. Speck. ed.). New York: Bloomsbury, 2014, pp. 179-204.
Also reprinted (with additional images) in Jump Cut, 56, 2015.

“Cultural Studies and History”

In The Sage Handbook of Historical Theory (Nancy Partner and Sarah Foot, eds.). Los Angeles and London: Sage, 2013, pp. 342-353.

“Cultural Studies and Critical Literacies”

(co-authors: Kris Rutten, Handel Kashope Wright, and Ronald Soetaert)
International Journal of Cultural Studies, 16(5), 2013, pp. 443-456.

“Cultural Studies Is Ordinary”

In About Raymond Williams (Lawrence Grossberg, Roman Horak, and Monika Seidl, eds.). New York and London: Routledge, 2010, pp. 153-164.

“Music for Nothing or, I Want My MP3: The Regulation and Recirculation of Affect”

(co-author: Cheyanne Vanderdonckt)
Cultural Studies, 20(2/3), 2006, pp. 245-261.

“Race . . . and Other Four Letter Words: Eminem and the Cultural Politics of Authenticity”

Popular Communication, 4(2), 2006, pp. 95-121.

“The Net Effect: The Public’s Fear and the Public Sphere”

In Virtual Publics: Policy and Community in an Electronic Age (Beth E. Kolko, ed.). New York: Columbia University Press, 2003, pp. 11-48.

“Race in Cyberspace: An Introduction”

(co-authors: Beth E. Kolko and Lisa Nakamura)
In Race in Cyberspace (Beth E. Kolko, Lisa Nakamura, and Gilbert B. Rodman, eds.). New York and London: Routledge, 2000, pp. 1-13.


In Key Terms in Popular Music and Culture (Thomas Swiss and Bruce Horner, eds.). Malden, MA and Oxford: Blackwell, 1999, pp. 35-45.

“Subject to Debate: (Mis)Reading Cultural Studies”

Journal of Communication Inquiry, 21(2), 1997, pp. 56-69.

“A Hero to Most?: Elvis, Myth, and the Politics of Race”

Cultural Studies, 8(3), 1994, pp. 457-483.

“Making a Better Mystery Out of History: Of Plateaus, Roads, and Traces”

Meanjin, 52(2), 1993, pp. 295-312.

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